Credible Likeable
Superstar Role Model
2012-2014
In an audacious and provocative protest against the world’s flagrant attempts to sexualise and commodify childhood, Kimmings and her 9-year-old niece, Taylor, decided to take on the global tween machine at its own game.
They invented 'Catherine Bennett', a dinosaur-loving, bike-riding, tuna-pasta-eating pop star, and vowed to make her world famous to prove that an alternative was possible! Bryony became Catherine Bennett and Taylor her manager. They were invited to parliament, became friends with Yoko Ono and their music was played on BBC Radio One!
Credible Likeable Superstar Role Model was Taylor and Bryony’s theatre show. It was not for kids. Instead it tackled the issues at the very core of their project head on. It was set in a fantasy land far from our own, where lines were drawn in the sand, girls became knights, eyeballs were gouged, wars are waged and people sold their souls for a fast buck. It was a tale of hopeless protection, blind fury, 9-year-old brains and taking on the world with your family. In typically screwball and humorous fashion, Kimmings begged the question: what does it really take to be a Credible Likeable Superstar Role Model for a child of the 21st century?
Awards & Press
Fringe First 2013
Three Weeks Editors Award 2013
Fringe Review Outstanding Show 2013
The Arches Brick Award 2013
★★★★★
“Hilarious, heart-breaking, troubling and inspirational. Kick-ass in all the right ways”
Time Out
★★★★★
“Bold, brave and very brilliant – don’t miss!”
The Independent
Credits
Written by Bryony Kimmings • Performed by Bryony Kimmings and Taylor Houchen • Music and co-direction by Tom Parkinson • Lighting Design by Marty Langthorne • Set Design by David Curtis Ring • Costumes by David Curtis Ring and Stephanie Turner • Dramaturgical Support from Nina Steiger • Produced by Mimi Poskitt • Stage Managed by Hattie Prust and Lottie Vallis • Production Photos by Richard Davenport • Show image by Christa Holka and Alexander Innes
Commissioned by Contact Manchester and The Junction
Funded by The Jerwood Charitable Foundation and Arts Council England
Supported by Soho Theatre, The Souhtbank Centre, The Almeida, The Manchester Museum and Theatre Works Melbourne.